Bad Bunny is the headliner for Super Bowl 60 on Feb. 8 in Santa Clara. The game is a Patriots-Seahawks rematch, and the halftime show is already the loudest argument in the room. New England Patriots vs. Seattle Seahawks is set. So is the controversy.
The part people keep missing is this: the
NFL did not “stumble” into Bad Bunny. The league and its partners run the halftime show like a campaign. They move early, lock the artist by late summer or early fall, and then spend months building a global TV moment around that name. The noise comes later.
The Halftime Pick Was a Fast, Controlled Process Built Around Timing, Culture, and Scale
Per the NFL’s own timeline, the artist search starts right after the previous Super Bowl and wraps before fall.
NFL senior vice president Jon Barker laid out the core question behind the pick: “What we really look at first and foremost is who’s the right artist for that moment.” The league’s point was simple. They wanted an artist with worldwide pull, not just a U.S. hitmaker.
That’s where Roc Nation comes in. Since 2020, the NFL has leaned on Jay-Z and Roc Nation in the selection process, with the league kept in the loop and a small internal group signing off when the final name is brought forward.
Barker described it as visibility, not chaos: “We understand which artists they’re talking to along the way.”
The sponsor matters, too. Apple Music is the title sponsor of the halftime show, and the pitch is scale. Barker’s “why artists do it” argument is exposure, even without a paycheck: “When you have an opportunity as an artist to stand on a stage and reach 250 million people at one time … I think that it is one of the most important stages in live entertainment.” (Artists typically do not receive a standard performance fee beyond union scale, per the league’s longtime structure.)
Bad Bunny’s resume fits the business case they keep selling. Spotify’s 2025 Wrapped data had him as the top-streamed artist globally again, with 19.8 billion streams. That’s not trivia. That’s the league telling advertisers, international markets, and a younger audience: we know where culture is moving, and we’re chasing it.
The Backlash is Loud, But the NFL’s Real Goal is Bigger Than The Noise
This is where the story turns from “who booked the show” to “why the league is willing to take the heat.”
Bad Bunny’s selection landed in political crossfire fast. ESPN reported that DHS Secretary Kristi Noem criticized the NFL days after the announcement, saying: “They suck, and we'll win.” A DHS adviser also called the pick “shameful” on a right-wing podcast, per ESPN.
Bad Bunny has been openly critical of Trump-era immigration policy and told i-D Magazine he avoided a U.S. tour because of concerns about potential ICE activity: “F---ing ICE could be outside [the concert].” ESPN also noted he addressed the controversy during “Saturday Night Live,” saying in English: “I'm very excited to be doing the Super Bowl, and I know people all around the world who love my music are also happy.” He then added: “And if you didn't understand what I just said, you have four months to learn.”
Donald Trump weighed in as well. The Athletic reported he criticized Bad Bunny and Green Day in an interview, saying: “I'm anti-them. I think it's a terrible choice. All it does is sow hatred. Terrible.” ESPN reported Trump also told NewsMax: “I've never heard of him. I don't know who he is. I don't know why they're doing it.”
The NFL’s internal stance, based on these reports, is basically: this isn’t a debate they plan to lose sleep over. Barker told The Athletic there was not “meaningful discussion” about political impact before Bad Bunny was chosen. ESPN added that league and club executives have stayed steady because the pick supports a business objective: expanding the NFL’s international footprint and, specifically, growing its Latino audience.