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Bollywood's timeless classics that dominated box office and defined the golden era

TOI Entertainment Desk
| ETimes.in | Last updated on - Mar 29, 2025, 17:00 IST
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1/6

Sholay-The Ultimate Blockbuster That Redefined Bollywood

Ramesh Sippy’s Sholay is often regarded as the greatest Bollywood film of all time. A perfect blend of action, drama, comedy, and unforgettable characters, Sholay set a new standard for Indian cinema. The film follows two small-time criminals, Jai (Amitabh Bachchan) and Veeru (Dharmendra), who are hired by a retired police officer, Thakur Baldev Singh (Sanjeev Kumar), to capture the ruthless dacoit Gabbar Singh (Amjad Khan). Every aspect of Sholay became legendary—the gripping narrative, its larger-than-life characters, and the powerful dialogues that remain iconic even today. The film ran in theaters for over five years and remains one of the highest-grossing films in Indian history.

2/6

Mughal-e-Azam – A Grand Spectacle of Love and Sacrifice

K. Asif’s Mughal-e-Azam was an unparalleled cinematic experience that transported audiences to the grandeur of the Mughal era. Starring Prithviraj Kapoor as Emperor Akbar, Dilip Kumar as Prince Salim, and Madhubala as Anarkali, this historical epic depicted the tragic love story between the prince and a court dancer, which led to a fierce conflict between love and duty. The film was a massive box office success and is considered one of the greatest Indian films ever made, setting new benchmarks for period dramas.

3/6

Mother India – A Story of Strength, Sacrifice, and Resilience

Mehboob Khan’s Mother India was a groundbreaking film that portrayed the struggles of a rural Indian woman, Radha, played by Nargis. The film’s narrative revolves around Radha’s hardships as she raises her children alone, facing poverty, social injustice, and personal sacrifices to uphold her moral values. Nargis’s powerful performance as Radha is considered one of the finest in Bollywood history, making her an iconic figure of strength and motherhood. The film was India’s first-ever submission for the Academy Awards and was nominated for Best Foreign Language Film.

4/6

Deewar – The Rise of the Angry Young Man

The 1970s marked a turning point in Bollywood with the emergence of the ‘angry young man’ persona, brought to life by Amitabh Bachchan in Deewar. Directed by Yash Chopra, the film told the intense story of two brothers—one a law-abiding police officer (Shashi Kapoor) and the other a smuggler (Amitabh Bachchan), whose paths collide due to their opposing beliefs. The film resonated with the masses as it reflected the frustrations of the common man during that era. With a gripping screenplay, powerful performances, and intense drama, Deewar was a box office blockbuster that solidified Amitabh Bachchan’s superstardom.

5/6

Amar Akbar Anthony – The Ultimate Masala Entertainer

Bollywood’s golden era was also known for its larger-than-life entertainers, and Amar Akbar Anthony was the perfect example of this genre. Directed by Manmohan Desai, the film was a delightful mix of action, comedy, romance, and family drama, featuring an ensemble cast of Amitabh Bachchan, Rishi Kapoor, and Vinod Khanna as three brothers separated in childhood and raised in different religious households. Amitabh Bachchan’s portrayal of Anthony Gonsalves, with his humorous antics and iconic mirror scene, became a fan favorite.

6/6

Don – A Stylish Thriller That Set New Trends

The crime thriller Don, directed by Chandra Barot, was a game-changer in Bollywood with its stylish narrative, gripping action sequences, and unforgettable dialogues. Starring Amitabh Bachchan in a dual role as the ruthless Don and his doppelganger Vijay, the film was a perfect blend of suspense and entertainment. The film’s dialogue “Don ko pakadna mushkil hi nahi, namumkin hai” became one of the most quoted lines in Indian cinema. The success of Don was so immense that it inspired several remakes, including Shah Rukh Khan’s modernized version in the 2000s.

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Copyright © May 27, 2026, 01.34AM IST Bennett, Coleman & Co. Ltd. All rights reserved. For reprint rights: Times Syndication Service